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Art, Early Christian --- Art paléochrétien --- Grabar, André, --- Art historians --- Christian art and symbolism. --- History of religious art - Christian art - Iconography. --- Art paléochrétien --- Grabar, André, --- Christian art and symbolism --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Historians --- Grabar, Andreĭ, --- Grabar, Andreĭ Nikolaevich, --- Criticism and interpretation. --- Symbolism in art --- Art historians - France. --- Grabar, André

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This volume of essays, by a group of scholars from the United States and Great Britain, presents a panoramic look at the study of Franciscan art in late medieval and early Renaissance Italy. In addition to being important case studies, the articles suggest a range of methodologies and interdisciplinary perspectives on important works of art. Senior scholars who have worked in the field for decades are joined by a new generation of researchers in the field. New studies of the Basilica in Assisi as well as innovative looks at early panel paintings and Franciscan stained glass are included. Those who study the Franciscan tradition as well as art historians, historians, literary critics, and theologians will find the studies relevant to their work. Contributors: Donal Cooper; Janet Robson; Daniel T. Michaels; Marilyn Lavin; Thomas De Wesselow; Beth Mulvaney; Ronald B. Herzman; Gregory W. Ahlquist; William R. Cook; Nancy M. Thompson.

Art --- Christian religious orders --- anno 500-1499 --- Italy --- Franciscan art --- Christian art and symbolism --- Art franciscain --- Art et symbolisme chrétiens --- 271.3 <45> --- 271.3-7 --- Franciskanen. Minderbroeders--Italië --- Franciskaanse liturgie en spiritualiteit --- 271.3-7 Franciskaanse liturgie en spiritualiteit --- 271.3 <45> Franciskanen. Minderbroeders--Italië --- Art et symbolisme chrétiens --- Art, Franciscan --- Medieval, 500-1500 --- Art [Franciscan ] --- Middle Ages, 500-1500 --- Medieval. --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Franciscan art - Italy --- Christian art and symbolism - Italy - Medieval, 500-1500 --- Franciscains

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Limiting itself to the vital centuries when the late Roman West reshaped itself into a first “Europe”, the conference on which the volume is based explored the dominant understanding of human nature in that era: that human existence was both body (in the visible world of material things) and soul (in the invisible world of spirit). This was a legacy of pre-Christian elements handed down from Greek philosophy and the Hebrew Scriptures. Assimilating it to indigenous cultures in the Roman West, many alien to the ancient Mediterranean world, precipitated sea-changes in the conception of human psychology. Ensuing frictions sparked extraordinary expressions of creativity in words and visual images. It also created dangerously subversive disequilibria in the collective mentality within élites and between them and majority cultures. The papers in this volume investigate numerous configurations of a new culture taking shape in that volatile environment. They contribute to continuing debates about the cognitive co-ordination of words and pictorial images, and to cross-disciplinary dialogues in such disparate fields as art history, religious literature, mysticism, and cultural anthropology.

930.85.42 --- 930.85.42 Cultuurgeschiedenis: Middeleeuwen --- Cultuurgeschiedenis: Middeleeuwen --- Christian spirituality --- anno 400-499 --- anno 500-1199 --- Christian art and symbolism --- Art, Medieval --- Christianity and art --- Spirituality in art --- Art et symbolisme chrétiens --- Art médiéval --- Christianisme et art --- Spiritualité dans l'art --- Congresses. --- History --- Congrès --- Histoire --- Art and Christianity --- Art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Symbolism in art --- Christian art and symbolism - Medieval, 500-1500 - Congresses. --- Christian art and symbolism - To 500 - Congresses. --- Art, Medieval - Congresses. --- Christianity and art - Congresses. --- Spirituality in art - Congresses.

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Christian art and symbolism --- Pilgrims and pilgrimages --- Pèlerins et pèlerinages --- Pélerins et pélerinages --- 248.159.8 --- Devotie tot de zielen in het vagevuur --- 248.159.8 Devotie tot de zielen in het vagevuur --- Pélerins et pélerinages --- 246.5 --- 246.5 Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Emblematiek. Iconologie. Christelijke iconografie. Dodendans --- Processions, Religious --- Travelers --- Voyages and travels --- Shrines --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Religious architecture --- Christian special devotions --- Art --- anno 500-1499 --- Great Britain --- Europe: North --- Art et symbolisme chrétiens --- Pèlerins et pèlerinages --- Pilgrimages and pilgrims --- Symbolism in art --- Spiritual tourism --- Pèlerinages

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Illuminated here are the relationships between visual culture, faith, and gender in the courtly, monastic, and urban spheres of the early modern Burgundian Netherlands. By examining works by artists such as the Master of Mary of Burgundy, Jan van Eyck, Hans Memling, and Bernard van Orley, author Andrea Pearson identifies and explores pictorial constructions of masculinity and femininity in regard to the expectations, experiences, and practices of devotion. Specifically, she demonstrates that two of the most prominent visual genres of the period, books of hours and devotional portrait diptychs, were manipulated by patrons and spectators of both sexes to challenge and negotiate the boundaries and hierarchies of gender, and that marginalized individuals and groups appropriated the types to resist the authority of others and advance their own. Ultimately, the books and diptychs emerge as critical and often contentious sites for deliberating and transacting gender. By integrating books of hours and devotional portrait diptychs into current interdisciplinary theoretical discourse on gender, power and devotion, the author engages scholars in a range of disciplines: art history, history, religion and literature, as well as women's and men's studies.

Gender identity in art --- Geslachtsidentiteit in de kunst --- Identité sexuelle dans l'art --- Christian art and symbolism --- Gender identity in art. --- Art et symbolisme chrétiens --- Netherlands --- Pays-Bas --- History --- Histoire --- gender --- symbolisme --- religieuze kunst --- 1350 - 1530 --- 14de eeuw --- 15de eeuw --- 16de eeuw --- Nederlanden --- Art chrétien --- --Pays-Bas --- --Genre --- --1350-1530 --- --Netherlands --- Art et symbolisme chrétiens --- Identité sexuelle dans l'art --- sex discrimination --- Bourgondische Nederlanden --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Renaissance --- iconography --- worship --- History of the Low Countries --- Art --- House of Burgundy --- anno 500-1499 --- anno 1400-1499 --- anno 1300-1399 --- anno 1500-1599 --- Art, Netherlandish. --- Medieval, 500-1500 --- 1450-1600 (Renaissance) --- House of Burgundy, 1384-1477 --- Symbolism in art --- Middle Ages, 500-1500 --- Christian art and symbolism - Netherlands - Medieval, 500-1500 --- Christian art and symbolism - Netherlands - Renaissance, 1450-1600 --- Genre --- Netherlands - History - House of Burgundy, 1384-1477 --- Netherlands - History - House o Burgundy, 1384-1477 --- gender. --- symbolisme. --- religieuze kunst. --- 1350 - 1530. --- 14de eeuw. --- 15de eeuw. --- 16de eeuw. --- Nederlanden. --- Christelijke kunst